Saturday
and i had seen myself probably two or three times in my arriving at that airport
and i had imagined how things were going to be
i had pictured in my mind a couple of situations that could happen in that context.
but of course, nothing of that took place.
as Bolaño and Porta say: "ideal scenes hurt".
and i had imagined how things were going to be
i had pictured in my mind a couple of situations that could happen in that context.
but of course, nothing of that took place.
as Bolaño and Porta say: "ideal scenes hurt".
Thursday
Sunday
Monday
Thursday
Saturday
Saturday
Friday
i have been thinking that in all the situations -in music and literature- when one of the lovers invites to the other to die together, the one who brings the idea to the couple is always the desperate one.
Probably, the one who is suffering the more, believes that the death can bring some peace to the end.
Monday
Again she turned to gaze at me. "Hajime", she said after a while."When i look at you driving, sometimes i want to grab the steering wheel and give it a yank. it would kill us, wouldn't it?"
"we'd die, for sure. we're going at eighty miles an hour"
"you'd rather not die with me?"
"i can think of more pleasent ways to go". i laughed. "and besides, we havent listened to the record yet. that's the reason we are here, isn't it?"
"dont worry", she said. "i wont do anything like that. the thought just crosses my mind from time to time."
doesnt it remind you anything?
Friday
Sunday
Friday
Monday
Wednesday
Thursday
i have always thought that there is something wrong when i look at a picture.
the portrait of someone, i mean.
i just couldnt guess what it was, but now i think that i finally found what it is.
when you look that kind of pictures, you use to believe that the one who is caught in the picture is looking at you.
for a moment you feel that you are the receptionist of the picture.
you are part of a relationship between two people: the one in the photograph and you.
but what you forget, or dont know, or dont want or cant see is that there is someone in the middle of you two.
the one that took the picture, the real one to whom the eyes of the person inside the picture are really directed to.
btw: i like one of your pictures.
the one where you are frowning
Thursday
Sunday
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Monday
between all the strange relationships that i establish with writers, there is one a little peculiar between cortázar and me.
every time that i have given one of his books to a boy, as a gift, the things didnt work out as i expected.
and i'm absolutely sure that i'm not the reason of that failure, because -as everybody knows- i'm nice and adorable and very smart and even funny.
maybe it is because they dont like cortázar or because they dont understand his writing.
i have started to think that they didnt even read the book that i gave to them.
definitely, it is all cortazar's fault.
Sunday
Thursday
Saturday
Stone is not stone
There was a time when stone was stone
And a face on the street was a finished face.
Between the Thing, myself and God alone
There was an instant symmetry.
Since you have altered all my world this trinity is twisted:
Stone is not stone
And faces like the fractioned characters in dreams are incomplete
Until in the child's inchoate face
I recognize your exiled eyes.
The soldier climbs the glaring stair leaving your shadow.
Tonight, this torn room sleeps
Beneath the starlight bent by you.
Carson Mccullers
Wednesday
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Saturday
"the popular, and heavily romanticised, interpretation of this closeness is that "There is a light that never goes out" is a love song to johnny marr, who regularly ferried the singer around by car.
asked in 2005 if this was the case, Morrissey stated: "It wasnt and it isnt".
"i never spent much time thinking about that stuff", adds Marr. "it was only after the band split that these theories came out. only Morrissey knows. when we recorded it i wasnt there thinking, "aw, this is about me", or anything. if it is, great. if it's not, then it's still a great song. i'm sure there's worse songs written about me so it might as well be a good one. but, for the record, i wasnt the only person who used to drive Morrissey around by car, put it that way".
Mozipedia, the encyclopedia of Morrissey and The Smiths, Simon Goddard
Monday
"but if nostalgia means the powerful recollection of strong emotions -and a regret that such feelings are no longer present in our lives- then i plead guilty. .. and if we're talking about strong feelings that will never come again, i suppose it's possible to be nostalgic about remembered pain as well as remembered pleasure. and that opens up the field, doesn't it?..."
the sense of an ending, Julian Barnes
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Tuesday
thanks god or the destiny or whatever because some people dont use whasapp or line or viber or skype and because you dont have their telephone number, when you are a little dizzy for the toasts with good wine, and so you cant call them just for saying that couple of things that you were hiding even from yourself
:0)anyway ... happy new year
just happy because the secrets are safe because bigmouth didnt strike this time
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